Urdu Love Poetry Shayari Quotes Poetry in English Shayri SMS Story Poetry for Her poems Poetry Image: Urdu Ghazals Urdu Love Poetry Shayari Quotes Poetry in English Shayri SMS Story Poetry for Her poems Poetry Images

Thursday 20 March 2014

Urdu Ghazals Urdu Love Poetry Shayari Quotes Poetry in English Shayri SMS Story Poetry for Her poems Poetry Images

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Urdu Ghazals Definition

The ghazal (Arabic/Pashto/Malay/Persian/Urdu: غزل‎; Hindi: ग़ज़ल, Marathi: गझल Punjabi: ਗ਼ਜ਼ਲ, Nepali: गजल, Turkish: gazel, Bengali: গ়জ়ল, Gujarati: ગ઼ઝલ) is a poetic form consisting of rhyming couplets and a refrain, with each line sharing the same meter. A ghazal may be understood as a poetic expression of both the pain of loss or separation and the beauty of love in spite of that pain. The form is ancient, originating in 6th-century Arabic verse. It is derived from the Arabian panegyric qasida. The structural requirements of the ghazal are similar in stringency to those of the Petrarchan sonnet. In style and content it is a genre that has proved capable of an extraordinary variety of expression around its central themes of love and separation. It is one of the principal poetic forms which the Indo-Perso-Arabic civilization offered to the eastern Islamic world.

The ghazal spread into South Asia in the 12th century due to the influence of Sufi mystics and the courts of the new Islamic Sultanate. Although the ghazal is most prominently a form of Dari poetry and Urdu poetry, today it is found in the poetry of many languages of the Indian sub-continent.

Ghazals were written by Rumi and Hafiz of Persia; the Azeri poet Fuzûlî; Mirza Ghalib and Muhammad Iqbal of North India; and Kazi Nazrul Islam of Bengal. Through the influence of Johann Wolfgang von Goethe (1749–1832), the ghazal became very popular in Germany during the 19th century; the form was used extensively by Friedrich Rückert (1788–1866) and August von Platen (1796–1835). The Indian American poet Agha Shahid Ali was a proponent of the form, both in English and in other languages; he edited a volume of "real ghazals in English".

It is common in ghazals for the poet's name (known as takhallus) to be featured in the last verse (a convention known as the Maqta).

The ghazal not only has a specific form, but traditionally deals with just one subject: love, specifically an illicit and unattainable love. Ghazals from the Indian sub-continent have an influence of Islamic Mysticism and the subject of love can usually be interpreted for a higher being or for a mortal beloved. The love is always viewed as something that will complete a human being, and if attained will lift him or her into the ranks of the wise, or will bring satisfaction to the soul of the poet. Traditional ghazal love may or may not have an explicit element of sexual desire in it, and the love may be spiritual. The love may be directed to either a man or a woman.[3]

The ghazal is always written from the point of view of the unrequited lover whose beloved is portrayed as unattainable. Most often either the beloved does not return the poet's love or returns it without sincerity, or else the societal circumstances do not allow it. The lover is aware and resigned to this fate but continues loving nonetheless; the lyrical impetus of the poem derives from this tension. Representations of the lover's powerlessness to resist his feelings often include lyrically exaggerated violence. The beloved's power to captivate the speaker may be represented in extended metaphors about the "arrows of his eyes", or by referring to the beloved as an assassin or a killer. Take for example the following couplets from Amir Khusro's Persian ghazal Nami danam chi manzil buud shab: